Kubilai Khan investigations
The contemporary relationship to time draws us into the spheres of acceleration that are the principal experience of modernity. Towns move, they are the territories that these incessant movements prefer, movements whose driving force is the gain by the domination of the most rapid. [full text]
The port town of Accra, the capital of Ghana, a central element of the staging, will be questioned, disturbed, in dialogue with bodies. Penetrating each territory as a part of a space-world in gestation. Choreographing the sum of plural geographies, going beyond frontiers to submerge [full text]
The study of these bodies in reaction with an environment – rejection, absorption, interaction, modification within a space itself in mutation – nourishes itself and dialogues with that which is not visible : the off stage. The circulation of sounds and sound waves, light waves, recordings, as many respirations breathing in suspensions, breathlessness and intervals. [full text]
The body is bearing the differences and various entries that follow the time and space scales where our images and representations are at stake. This duet cuts and mends again the fabrics that reflect our relations of duality, in interference and/or in continuity : games of distinction, resistance, attraction or repulsion [full text]
In the middle of nowhere, enter a floating, crystalline world and discover the sleepy landscapes in your retinas.
The sense of humour of Kubilai Khan Investigations, a duet of skating dancers with their feet wrapped in plastic bags, in a setting that looks more like an ice field than a stage, announces a few bright scenes [full text]
 
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